1982-2012, Fisher Landau Center for Art
Fisher Landau Center for Art presents "Nancy Dwyer: Paintings & Sculpture, 1982-2012", curated by Nicholas Arbatsky, on view January 18 - April 7, 2013.
Fisher Landau Center for Art has announced an exhibition exploring a wide range of Nancy Dwyer's artwork in two and three dimensions, created over the last 30 years. Known as a founding member of the Pictures Generation, coined after the seminal "Pictures" exhibition in 1977 at Artists Space, Dwyer has refined a conceptual practice that questions the way media infiltrates our daily lives through the icons of language, gesture and implied meaning. Installed throughout the public spaces of the Center, the survey offers the viewer a sequential experience beginning at the outdoor entrance, leading through the lobby and continuing up the stairwell to the 3rd floor exhibition space and conference room. Artwork from the Center's holdings is supplemented by work from Nancy Dwyer's personal collection, creating a visual timeline highlighting the interplay of recurring motifs, as they transform from the painted surface to objects in space.
Born in New York City in 1954, Dwyer's artistic training took place throughout the region at Empire State College's Studio Program, SUNY Buffalo's Fine Arts Program and most recently at NYU where she received a Master's Degree in Interactive Communication. In the early 1980s, Dwyer came into prominence alongside Cindy Sherman, Robert Longo, Sherrie Levine and Richard Prince. She has exhibited internationally since the outset of her career and was included in the Whitney Museum of American Art's 1987 Biennial. Emily Fisher Landau began collecting her artwork in 1988 with the purchase of "Later", a large canvas depicting a tire on its side, surrounded by the handwritten text "SEE YOU AROUND". Mrs. Landau's interest in Dwyer's artistic production escalated to include her sculptural words as well, comprising a selection of artwork that forms a cohesive cross section of Dwyer's thematic vocabulary from the late 1980's & early 1990's.
Included in the exhibition are language based sculptures from the collection including "KILLER" from 1991, made of painted aluminum, measuring 42 x 72 x 35 inches, "BODY" from 1990 made of black anodized aluminum with aluminum poles, measuring 81 x 154 x 63 inches and "The Desk of Envy" from 1988, an example of Dwyer's functional art made of mahogany, leather, glass and brass hardware, measuring 29 x 84 x 23 1/2 inches. Paintings include "Miracle" from 1986, a 60 x 75 inch canvas and "Yoga Woman" part of Dwyer's personal collection made in 1982, a 54 x 48 inch acrylic on canvas that was recently included in the Metropolitan Museum of American Art's "The Pictures Generation: 1974-1984". As you approach the entrance to the Center you encounter "H2O" installed at the top of the ramp, a galvanized steel bucket sculpture from 1990 that's filled with water measuring 24 1/2 x 47 x 64 inches followed by "CO2" made in 1990 from steel mesh, measuring 66 x 56 x 20 inches. Installed in the lobby above the front desk, "Entitled to What" from 2006-2012, is a laminated digital print made specifically for the exhibition, measuring 96 x 120 inches. Sited opposite, making a commanding presence is "BIG EGO II" from 2011, an enormous 96 x 216 x 65 inch inflated polyurethane nylon sculpture, lent from the Burchfield Penney Art Center in
Buffalo, New York. The 3rd floor features "Already Dead" & "Clouds" both from 2012, site specific installations that are intertwined with the architecture of the space, rounded out with numerous examples of Dwyer's artwork created over the last three decades.